I'm not sure if I enjoy the Christmas experience as far as the gallery goes, everything seems to be a constant state of flux as pieces go and are then replaced by something totally different.
Usually there is some sort of theme or feel to the place but at the moment that seems to have "gone out of the window" as I try to second guess the public and put out something that I think might appeal.
As an owner there are always certain pieces that I really love, to the extent that I don't care if they never sell which is a "little silly" to say the least as our existence depends upon people paying for, then walking out of the door with things that I love and admire.
There was a time when I was displaying art that my heart wasn't really involved with, this was because I knew that certain kinds of art would sell so I was catering for people who wanted to own things that I didn't like.
It must be obvious to most people that that was a "recipe for disaster", but at the time I couldn't see it, but I did recognize that it made me unhappy.
Those days are now long behind me and everything that we show now I am proud and happy to be showing, I like to feel that everything that we display has been made with integrity and skill.
It is hard to be able to show even a fraction of the different work that we have on display but here are a few examples of what I have pointed the camera at earlier today.
The first picture is the finished sculpture by Eve Shepherd that I have shown earlier before it was completed, something that I find really fascinating, to be able to hold in my hands a sculpture that I had seen being created.
The other sculpture is by Antonio Lopez Reche, a Minotaur, then for something totally different a clock by Nigel Graham, it is made from silver and gold and contains more precious stones including diamonds than I can remember.
The last sculpture is a head "RED" by Anonia Hockton, it is carved from limestone and is so lovely and simple, although the colouring may seem strange it is the same as the pigments used
by medieval masons on the work seen in cathedrals worldwide, it is no surprise that a lot of Antonia's work is seen in Churches throughout the UK.