Welcome to the Gallery

Imagine is set in the Suffolk village of Long Melford.
This is an attempt to record the daily trials, tribulation and pleasure of running an art gallery.

Tuesday, 11 October 2016

Under Pressure

I'm getting very behind.
We are having a few "back to back" exhibitions and everything is starting to blur a little.
Of course the art is totally different each time but the magazines and printers
work on a different deadline to me.
It seems that as soon as we have held the opening of one exhibition I am being chased for images
of our next exhibition, or I remember that I only have a few days to design
the invitation for the next show, which in my mind seems so far away as I am still so involved
with the current exhibition.

In reality it should not be too much of a problem, but on occasions the artist for a forthcoming
exhibition doesn't understand how far in advance I need information and pictures.
But, of course there are exceptions.
Rob Van Hoek
Is an artist that is one of those exceptions.
In fact he was "so far ahead of the game" I found myself trying to keep up with him. 

Although he is from Holland he is very collected here in the UK and America
Over two months ago he sent me small images of his new paintings so that I could have first choice
of his paintings for his exhibition with us.
My first thought was "this is going to make it easy for me".
But no!
Because I had lots of time I dithered about "umming and ahrring"
Should I go for this one or that one?
Meanwhile his collectors were buying.
Once I understood this I became more focused and made quick decisions.

Immediately Rob sent me "Hi Resolution" pictures in case I needed them.
This gives a small insight into how professional he is.

We have been showing Robert's art for a couple of years but this was to be his first exhibition with us.
I could not be happier.
The photographs just do not do justice to the paintings that arrived,
They are beautiful yet also different to the kind of art that I would normally want to show.
I can't put my finger on the difference but in a way I find them very sculptural.

This perhaps is because after finishing painting he then scratches though the paint to reveal the canvas.
In fact the details are actually the canvas revealed beneath the layers of paint.
The finished artwork has texture plus an almost a 3D affect.
Coupled with the simple innocence of the landscapes his technique is refreshing,
Very contemporary and beautiful.

The Titles!
I confess that in the past I have read the title of his paintings but then have struggled sometimes to make the painting fit the title.
Some are obvious others not so.
Then I learned that Rob plays music while he is painting, and it is the mood and atmosphere of the music that can decide the title of the painting.
It may be the title or just a few lyrics that then become the name of the painting.

I'm sure that we can all relate to that.
The way that music can make us happy or sad or can transport us to another time
memory or place.


I don't really need the titles
His paintings move me and my emotions.

This coupled with his professional manner has made this an [almost] easy approach to an exhibition.
Except that it put me in front for a couple of days so I decided to paint the gallery.
Big Mistake.
I am now behind as ever.
Also, Rob will be exhibiting alongside the sculptor
Evelyne Galinski
Whose work will arrive from France on Friday night, one day before the opening.
So it seems like it will be pressure as usual up to the wire.
I couldn't work any other way.

"Under Pressure"
Now isn't that a title of a song?

Sunday, 18 September 2016

At last, although very  late in the day I am telling you about our new exhibition.
It is very late in the telling, as it opened today
Of course I have many reasons for being late, and they are totally true.

It is a miracle that the artist Nom Kinnear has been able to produce an exhibition's worth of paintings.
This long desired exhibition was planned for earlier in the year until I received a call.
"Can we put back the exhibition for a later date, as I am having another baby"?
What could I say?

So the exhibition was set for a later date but it is still a miracle that it has happened.
With complications, Nom gave birth, and although she was told to rest she continued to paint whenever she could, which was not easy as also she has a young daughter to care for.
But, like all true artists she somehow continued to create whenever she could.
Here are a few of her creations.

As a result of her desire for perfection coupled with being a very busy Mother
I have been framing paintings whenever they were available.
Hence at 10.00pm on the night before the private view, I finished the very last.

We have been exhibiting her work for a long time now, but this is her first exhibition at our gallery.
Because of her circumstances we are now showing the best of her last years work. 

As you can see, her work is anything but normal.

She uses many different objects to be the "canvas" for her art.
For the beautiful painting above she has used the skin of on an Antique Tambourine. 

Below, the surface of a very old "Zither" harp.

Another painting is on the surface of a Mandolin.
I think it would be true to say that she is a very different artist. 

Her exhibition with us is titled 'Fallowmoor'.
Fallowmoor is a land of her imagination which is peopled by the figures in her paintings.
The paintings all link together and tell a story.

But although the images are from her imagination I have become to learn that some are based
Upon the features of very real people.
Including Nom and her own beautiful daughter.

Each time I talked with her I could see her face in a painting by her mother .

Although all very different each painting links to another.
However it has been the individual beauty of each piece that has captivated me.
I want to own them all, but of course I can't.

Because as I have been framing them they have been selling, which is the reason that I have shown nothing sooner.
I have been too busy framing them.
This is something which has been a difficult task, as I have wanted each frame to be different,
Yet, complimenting the painting.
I confess I have been dreaming about frames.
How sad can you get?

I tell myself "this must stop I have got to get a life".
Then I look at the beautiful framed paintings and realise that I do have a life.
A very fortunate life.
 What other job could give me so much pleasure? 

It has seemed that today every visitor has loved a different painting.
For many different reasons of their own
Above is my own favourite.

As with all of her paintings it has a long story to go with it, but I don't need to tell you that.
When Nom handed me the painting, saying "this is for the gallery".
My immediate response was
"This is one of the most beautiful things I have ever seen".
I haven't changed my mind since.

Thursday, 25 August 2016

Short Film

Above is the short film of Anne Bachelier demonstrating at the opening of her new exhibition
Here at the gallery.
I have tried many times to show this but with no success
So if this doesn't work it is back to single pictures.

Thursday, 18 August 2016

Last weekend we had the pleasure of a visit by the artist
Anne Bachelier
Anne was here to attend the opening of her second exhibition at Imagine Gallery.
She came with the company of her husband, organiser and chauffeur Claude
Who drove them both from the French Alps to our small village in England.
Excluding the time on the cross channel ferry it was a journey of 14 hours.
A sign of true love.
It must have been, as the weekend was the occasion of their 47th wedding anniversary.
Still, what better way to spend it than here in my gallery?
Well, I can think of other more romantic locations
But surely we must be a close second.

Not only did they arrive but we also had a visit from a couple of her good friends.
Her friend Philippe had come with the intention of making a short film of the exhibition.
This he did in his own very unobtrusive, very polite way [a lovely man]
It was to be made even more interesting as Anne had agreed to demonstrate her method of painting.
This she did, and to say that it was fascinating would be something of an understatement. 
I was determined to capture the procedure on camera.
Unfortunately I had many distractions and people to occupy my time so I was unable to record
it from start to finish.
What amazed me was how many times the painting was altered as Anne's idea's progressed.

The painting was not completed while Anne was here, but it was a pleasure to see the progression.
Luckily the process was recorded by Philippe, and today he has sent me a copy.
Unfortunately at the moment it is too large for me to include with this post
But I hope to show it in the next.
Here are a few of the snaps of "work in progress".

The painting is still to be finished.
I am sure that it is totally different to anything that she might create in her own studio,
Their she creates without distraction and her idea's are very private
She has spoken in a previous filmed interview that having people watching takes something away
From her art.
This I understand and I am very grateful that she took the time and had the patience
To share a little of her world with the people [and me] who visited.
Thank you Anne.

Saturday, 6 August 2016

I have been in the "doldrums" for far too long but now I'm back.
Of course I appreciate that the world has not been waiting with baited breath, but still it bothered me.
The reason I have not been motivated to write is because of the bloody 'Brexit'.
The ramifications of what has happened has had me fixated with changing events and the news 
each day, I have been waiting to learn it was a great mistake.
It wasn't, we did it or half the country did and they have taken the rest of us down with them.
Just days before the referendum the 'Washington Post' predicted that it could not happen
A whole nation cannot be mad! They told us.
Of course the are not subjected to the shit that we are fed by our so called newspapers.
So it happened, and like so many people I have been in a state of shock.
Perhaps for too long.
We have a wonderful exhibition approaching that I have been busy preparing for,
I should be really happy.
I needed to forget what has happened and enjoy life.
So I did.

A few months ago Irene had purchased me a ticket to go and see my favourite band
Tears For Fears
At last the day of the concert arrived, and there I was just ten feet from the stage
With a few beers inside, having the time of my life singing along to every song.
Life was back on track. 

Now, I really am getting excited about our new exhibition.
Excited and nervous.
The artist is Anne Bachelier, one of my biggest art heroines, this is the reason for being nervous.
Although I know I should not worry because Anne would tell me
"I am just an artist".
But, of course it is always harder when you really admire someone.
I am not bothered for myself I just want Anne Bachelier to enjoy the exhibition,
Which of course makes me put unseen pressure upon myself.

To be honest, what can go wrong?
We have some fantastic paintings, drawings and mixed media that has arrived
From her studio in the French Alps.
All I have to do is put it on display.

Of course I can't make it that simple for myself I have to worry about something.
So I have.
First I worried about the frames I was making. Were the y good enough?
Then my design for the invitation! Could it be better?
The printer of the invitation! Is he an idiot?
The advertising! Should it have been more simple?
In what area's should I display the different work, should I keep oil paintings separate from the
mixed media?
Should I create a banner?

The list goes on and on, there is a lot to worry about and all of it in my mind.

At least I don't have to worry about the art, as usual Anne has sent some beautiful work.
This is amazing as she has just opened a major retrospective exhibition of her art at
'Chateau de Lavardens' in the south of France.
There she has managed to fill an entire castle with her paintings.
Yet, she still makes the time to create a new exhibition for us.
I have told her "This is impossible, you are only one women".
But, she lives to paint.
Also she is one of those rare people who delivers what she promises.

So despite the worries that I am still creating for myself I am becoming increasingly excited.
Her paintings all have such a strong narrative, and there is nothing I like more
than reading a story in a painting.
Perhaps this is why in the past she has been asked to illustrate several famous books.
Although I think it would be easy to create a book from just one of her paintings.
Evidence of this is the painting below which is the one I chose for advertising.

So if you would like to see some amazing art and have the opportunity to speak with the artist
This is the place to be in a weeks time.
Of course you can also ask me about Tears For Fears.
Just don't mention 'BREXIT'.

Tuesday, 14 June 2016

I have lost count of the number of different artworks and events that I have intended to write about.
Something new would happen and I would decide "I must write about this"
Then I would remember "But, I haven't written about that yet".
So another day will pass with the promise to myself that I must write about something,
Anything, even if it is about the weather.
Or just the prospect of the UK leaving Europe.
Now, that I could write about for hours, it wouldn't make me popular
But I would certainly have a lot to say.
"A train crash waiting to happen"?

Apart from the politics that we are all immersed in at the moment there have been many
things that have been of interest to me that I would have liked to have shared
But it all gets buried under the mountain of daily office work.

However, here at last is a little post.

I have recently thought that I should post about new art that would be arriving here soon.
Then decided "No wait until it is here, I might be tempting fate" especially as it takes a few months
from "shaking hands" to becoming a reality.
But, now at last I can show some eagerly anticipated paintings because they are actually here
In the gallery and on display, they are by the artist
Jean-Francois Segura

His name is so beautiful perhaps you don't need to see the paintings
No, on reflection I think you do.
They really are different, beautiful but different.

After they had been delivered by our English/French "Transporter" [that's what they call him].
I left it for about three hours before I unwrapped them.
I could only do it once and I really wanted to savour the moment.
It had been a long wait as they hadn't been created when I first approached the artist.

They were everything that I had hoped for and more.
I love it when paintings have a narrative, you can make up your own story to go with the painting.
With the paintings by Jean-Francois I could imagine many different stories.
I loved the fact that when the image was "cropped" it told and gave the impression of a totally
different scene.
So this is what I have done for you, I have tried to give you an understanding of how they appeared to me.

I suppose for me it was a little like watching a movie when suddenly the camera pans out
and the whole scene is revealed for the first time.
It changes your thoughts and perspective about what you expected.
I am sure that Tom Cruise understands what I am saying.
Bloody pity he doesn't read the Blog, I'm sure we could be best mates.

I suppose that really I have nothing left to say on the subject of these paintings,
I will leave it to you to make your own interpretation of them

All I will say is that I am so very happy and proud to have them on display here in my shop.

Sometimes the waiting is all worth while.
I have waited for months to show you these paintings, now I have.
Unfortunately, they will never be mine but I will enjoy every day that they are hanging on my walls.
Not for long I think.

Au revoir pour maintenant mes amis blogueur

Saturday, 16 April 2016

There is an unusual artist who brings us paintings from time to time
Or did I mean an artist who brings us unusual paintings?
Actually it's both.

Will Teather is the artist.
Everything that he creates is very different and each piece has its own unique history with many stories attached.
They are set in worlds of his vivid imagination which he makes a reality.

In the past he has created so convincing a fictitious history around the subject in one painting that it became believed that the woman portrayed actually existed.
I suppose this was helped by the fact that he had preserved her clothing in museum style cases.
I had not intended to start talking about
"Maudeline Spacks", the vanishing artist.
As I don't have that many hours spare to devote to that creation.
Suffice to say this not existing person now has her own tribute band.

To describe him as a "larger than life" character would be very apt.
For one reason he is large and very tall, but more to the point he has a personality
That dominates whatever space he occupies
In this instance it was in my gallery. 

He was here drawing me into his own world.

The reason for his visit was because I had pestered him for one of his "new" works
A series that he has titled
Infinite Perspectives
These really have to be seen to be believed, neither I or anyone else has seen anything like them before.
These are scenes which are painted onto giant globes which are suspended from a ceiling.
The amazing thing is that whatever area you view is perfect yet when you look to the sides the perspective changes as the painting diminishes into the distance.
Turning the globe then brings those area's into perfect size yet what you had been looking at now becomes smaller and slightly distorted.
They are difficult to describe.

Above is a portion of one such painting.
The picture below of Will in his studio is not an attempt to show how they look as it just
shows the artist with paper "mock ups" and small "keep sake" recreations of the real thing.
You have to imagine BIG and perfect.

Knowing that he works on a very large scale I had been "playing safe and had requested
A "half sphere" painting that I loved.
I understood that it attached to a wall like any "normal" painting so I knew
that it couldn't be too large.
It is concave and measures 40 inches in diameter and protrudes 20 inches from the wall.
Why had I expected anything different from this gentle giant?

It is an amazing piece of art.
It is almost interactive, as when you hold your face close you have a sensation of being a
part of the painting.
Birds are flying above, below and around you.

Along with this masterpiece he also left me with some of his "normal" art.
Yet, of course these have a story to tell
Will just doesn't do ordinary